EXPOSED 2025
Almost Real. From Trace to Simulation

An exhibition co-produced by Exposed and OGR Torino
curated by Samuele Piazza and Salvatore Vitale

From 16 April to 2 June 2025

Opening 16 April 2025 | 8 PM

Binario 2 | OGR Torino

Free entrance

EXHIBITION HOURS
Thursday - Friday | 6 PM - 10 PM
Saturday - Sunday | 10 AM - 8 PM

Guided tours in Italian - bookings available
Saturday 19 April | H 17.30
Sunday 20 April | H 17.30
Saturday 26 April | H 17.30
Sunday 27 April | H 17.30
Saturday 3 May | H 17.30
Sunday 4 May | H 17.30

Extra Opening Hours
Friday 18 April (Good Friday) | 10 AM - 10 PM
Sunday 20 April (Easter) | 10 AM - 8 PM
Monday 21 April (Easter Monday) | 10 AM - 8 PM
Friday 25 April (Liberation Day) | 10 AM - 10 PM
Thursday 1 May (Labour Day) | 10 AM - 10 PM
Saturday 10 May | 10 AM - 9 PM
Sunday 11 May | 10 AM - 9 PM
Monday 2 June (Republic Day) | 10 AM - 8 PM

For the second year, OGR Torino is collaborating with EXPOSED Torino Foto Festival and presenting Almost Real - From Trace to Simulation, a group show curated by Samuele Piazza and Salvatore Vitale that explores the relationship between photography and simulation in the era of AI image generators.

The photographic image of the new millennium is converted from a trace of the real into mere simulation operated by new technological tools, whose images seem to “make themselves”. The exhibition aims to problematize precisely this transition through the works of three artists with extremely heterogeneous practices.

Alan Butler’s Virtual Botany Cyanotypes series creates a catalog of imaginary vegetation from the world of video games that fuses digital information with physical material through the medium of cyanotype photography.

Nora Al-Badri’s techno-reperts made from Mesopotamian, Neo-Sumerian and Assyrian artifacts from the photographic archives of museum institutions, offer critical and historical perspectives on the relationship between cultural heritage and colonial thinking, so to shape a new collective memory and challenge existing museological narratives.

Lawrence Lek’s work Empty Rider (2024) features a self-driving car on trial for the attempted murder of their own creator. This CGI science fiction investigates identity, agency and emotions in the age of artificial intelligence, offering an important opportunity to reflect on the limits and potential of an ethics constructed by nonhuman systems.